Anderson does something so outrageous during the film's final 30 minutes that jaws will drop throughout the theater. It also features one of the most audacious plot developments ever to grace the silver screen. One can argue whether Boogie Nights or Magnolia is the more accomplished feature, but there's no debating that Magnolia represents the greater challenge. Now, Magnolia presents a slice-of-life look at a group of characters whose fates are intertwined even though their paths don't necessarily intersect during the course of this film. Boogie Nights pulled no punches in chronicling the rise and fall of a top porn star during the late '70s and early '80s. His motion picture debut, Hard Eight, was an intriguing but uneven character study of an older man and his surrogate son.
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Magnolia is a fascinating and worthwhile motion picture that manages to keep viewers interested in the plights of ten different characters for nearly its full length - right up to and through the improbable climax.Īnderson is one of only a few recent directors who has shown growth in each of his first three outings. Fortunately, Anderson has a deft hand when it comes to filmmaking, and this project does not tax his talent beyond the breaking point. When it works and everything snaps into focus, the rewards can be great, but when it fails, the finished product often looks worse than the mangled wreckage of a head-on car crash.
It's an ambitious step to take - making lengthy, ensemble movies with tangentially related and occasionally interconnected storylines can be a risky endeavor, both creatively and financially. With Magnolia, director Paul Thomas Anderson has segued into the realm of the three hour movie.
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